Curatorial
(forthcoming)
Lost & Found: HowWe Remember
Singapore Art Museum, 27 November 2026 – 18 April 2027
Singapore Art Museum, 27 November 2026 – 18 April 2027
fragments, memory, recovery
Writing
‘A Coelacanth Croaks from the Deep: The
Cosmological and Cosmic in Natasha Tontey's Garden Amidst the Flame’, Kunstlicht vol. 47, no. 1/2 (July 2026).
cosmology, indigeneity, time
Writing
‘Of Worms, Geckos and Turtles: An Encounter With Southeast Asian Ecocritical Moving Image Works’, World Futures Review (April 2026).
ecocritical art history, worlding, time
Conference
‘Brackish Shrubbery: Deep Listening in the Mangroves’, Association for Art History Annual Conference 2026, 8
–
10 April 2026.
land, memory
Writing
‘Strange and Difficult Fruit: The Durian as a Marker of Time in Southeast Asian Contemporary Art’, in Tastes of Justice: The Aesthetics and Politics of Food-Art Practices in Asia and Australia, ed. Francis Maravillas, Marnie Badham, Stephen Loo and Madeleine Collie (Routledge, 2025).
tropicality, syncopation, time
Writing
‘Yearning for Something That Has No Name — 愛你 但說不出口’, in Charmaine Poh: Make a travel deep of your inside, and don’t forget me to take (Berlin: Palais Populaire, 11 September 2025 – 23 February 2026), exhibition catalogue.
migration, kinship, return
Conference
‘Patchy: Incomplete Readings of Landscape as Archive’, Reframing the Archive: International Conference on Photography & Visual Culture, 24
–
26 September 2025.
land, memory
Curatorial
SAM Contemporaries: How To Dream Worlds
Singapore Art Museum, 1 August – 16 November 2025
Singapore Art Museum, 1 August – 16 November 2025
speculation, imagination, worlding
Curatorial
Lost & Found: Embodied Archive
Singapore Art Museum, 25 October – 24 November 2024
Singapore Art Museum, 25 October – 24 November 2024
bodies, memory, recovery
Writing
‘WWW (Worlds Within Worlds): The Multivalent Artworks of Natasha Tontey and Nawin Nuthong’, in Liquidscape: Southeast Asia Today (Maebashi: Arts Maebashi, 21 September – 24 December 2024), exhibition catalogue.
speculation, imagination, worlding
Curatorial
Olafur Eliasson: Your curious journey
Singapore Art Museum: 10 May – 22 Sep 2024
Singapore Art Museum: 10 May – 22 Sep 2024
material, affect, immersion
Writing
‘Perforated Islands: A Proposition in Co-Sensing with the More-Than-Human’, AAA Like A Fever, January 9, 2023.
land, memory, cosmology
Conference
‘Strange Fruit’, The Art Association of Australia and New Zealand Conference: Demonstrations, 1
–
3 December 2022.
tropicality, syncopation, time
Writing
‘Warm, Microbial Heaps: The Effervescent Practice of Rice Brewing Sisters Club’, Field Journal no. 22 (Fall 2022).
socially-engaged, more-than-human
Curatorial
Lonely Vectors
Singapore Art Museum, 3 June – 4 September 2022
Singapore Art Museum, 3 June – 4 September 2022
flows, circulation, distribution
Conference
‘Carrying Fire: Artist-Collectives as Praxis and Response to Ecological Emergencies’, CICA Museum: International Symposium for Visual Culture, 26
– 27 March 2022.
socially-engaged, more-than-human
Conference
‘Sharing With, Becoming With: Non-Human Perspectives in the Practices of Zai Tang, Lêna Bùi, and Syaiful Garibaldi’, Digital Research in the Humanities and Arts Digital Matters: Designing/Performing Agency in the Anthropocene, 5
–
7 September 2021.
material, more-than-human
Writing
‘In Place of a Map: The Counter-Cartographic as Artistic Intervention and Strategy’, PR&TA no. 01 (November 2021).
land, cartographies
Writing
‘“An Exploratory, Irregular Tendency”: Using Digital Gardens in Curatorial Research’, The Garage Journal: Studies in Art, Museums & Culture no. 03: 118–130. doi: 10.35074/GJ.2021.68.10.007.
flows, circulation, distribution