Curatorial
(forthcoming)

Lost & Found: HowWe Remember
Singapore Art Museum, 27 November 2026 – 18 April 2027

fragments, memory, recovery

Writing

‘A Coelacanth Croaks from the Deep: The Cosmological and Cosmic in Natasha Tontey's Garden Amidst the Flame’, Kunstlicht vol. 47, no. 1/2 (July 2026).

cosmology, indigeneity, time

Writing

‘Of Worms, Geckos and Turtles: An Encounter With Southeast Asian Ecocritical Moving Image Works’, World Futures Review (April 2026).

ecocritical art history, worlding, time

Conference

‘Brackish Shrubbery: Deep Listening in the Mangroves’, Association for Art History Annual Conference 2026, 8 – 10 April 2026.

land, memory

Writing

‘Strange and Difficult Fruit: The Durian as a Marker of Time in Southeast Asian Contemporary Art’, in Tastes of Justice: The Aesthetics and Politics of Food-Art Practices in Asia and Australia, ed. Francis Maravillas, Marnie Badham, Stephen Loo and Madeleine Collie (Routledge, 2025).

tropicality, syncopation, time

Writing

‘Yearning for Something That Has No Name — 愛你但說不出口’, in Charmaine Poh: Make a travel deep of your inside, and don’t forget me to take (Berlin: Palais Populaire, 11 September 2025 – 23 February 2026), exhibition catalogue.

migration, kinship, return

Residency

Southeast Asian Arts Residency
Rimbun Dahan, November 2025

tropicality, syncopation, time

Conference

‘Patchy: Incomplete Readings of Landscape as Archive’, Reframing the Archive: International Conference on Photography & Visual Culture, 24 – 26 September 2025.

land, memory

Curatorial

SAM Contemporaries: How To Dream Worlds
Singapore Art Museum, 1 August – 16 November 2025

speculation, imagination, worlding

Residency

Greenhouse Residency
Mendocino Art Center, December 2024

land, memory

Curatorial

Lost & Found: Embodied Archive
Singapore Art Museum, 25 October – 24 November 2024

bodies, memory, recovery

Writing

‘WWW (Worlds Within Worlds): The Multivalent Artworks of Natasha Tontey and Nawin Nuthong’, in Liquidscape: Southeast Asia Today (Maebashi: Arts Maebashi, 21 September – 24 December 2024), exhibition catalogue.

speculation, imagination, worlding

Curatorial

Olafur Eliasson: Your curious journey
Singapore Art Museum: 10 May – 22 Sep 2024

material, affect, immersion

Writing

‘Perforated Islands: A Proposition in Co-Sensing with the More-Than-Human’, AAA Like A Fever, January 9, 2023.

land, memory, cosmology

Conference

‘Strange Fruit’, The Art Association of Australia and New Zealand Conference: Demonstrations, 1 – 3 December 2022.

tropicality, syncopation, time

Writing

‘Warm, Microbial Heaps: The Effervescent Practice of Rice Brewing Sisters Club’, Field Journal no. 22 (Fall 2022).

socially-engaged, more-than-human

Curatorial

Lonely Vectors
Singapore Art Museum, 3 June – 4 September 2022

flows, circulation, distribution

Conference

‘Carrying Fire: Artist-Collectives as Praxis and Response to Ecological Emergencies’, CICA Museum: International Symposium for Visual Culture, 26 – 27 March 2022.

socially-engaged, more-than-human

Conference

‘Sharing With, Becoming With: Non-Human Perspectives in the Practices of Zai Tang, Lêna Bùi, and Syaiful Garibaldi’, Digital Research in the Humanities and Arts Digital Matters: Designing/Performing Agency in the Anthropocene, 5 – 7 September 2021.

material, more-than-human

Writing

‘“An Exploratory, Irregular Tendency”: Using Digital Gardens in Curatorial Research’, The Garage Journal: Studies in Art, Museums & Culture no. 03: 118–130. doi: 10.35074/GJ.2021.68.10.007.

flows, circulation, distribution

Podcast

‘Mushroomed’, Singapore Community Radio

ecosystems, locality